Removing gravity from the fall
Balcony Gallery, Lisbon, PT, 2026

View of the solo exhibition Removing gravity from the fall, at Balcony Gallery, Lisbon, Portugal (2026)
Photo: Carbonara Studio

View of the solo exhibition Removing gravity from the fall, at Balcony Gallery, Lisbon, Portugal (2026)
Photo: Carbonara Studio

View of the solo exhibition Removing gravity from the fall, at Balcony Gallery, Lisbon, Portugal (2026)
Photo: Carbonara Studio

View of the solo exhibition Removing gravity from the fall, at Balcony Gallery, Lisbon, Portugal (2026)
Photo: Carbonara Studio

Digo apenas em palavras o que conheceis em pensamento IV, 2026
MDF, mirror, wax, cotton threads, Hakea fruit, and natural fibers, 220 x 134 x 125 cm (aprox.)

Digo apenas em palavras o que conheceis em pensamento IV, 2026
MDF, mirror, wax, cotton threads, Hakea fruit, and natural fibers, 220 x 134 x 125 cm (aprox.)

Digo apenas em palavras o que conheceis em pensamento I, 2026.
MDF, mirror, wax, banana stem, and Hakea fruit 220 x 208 x 67 cm (aprox)
Photo: Carbonara Studio

View of the solo exhibition Removing gravity from the fall, at Balcony Gallery, Lisbon, Portugal (2026)
Photo: Carbonara Studio


Installation views of Digo apenas em palavras o que conheceis em pensamento I, 2026.
Photo: Carbonara Studio

Vislumbre I and II, 2026. Zincor, mirror, and print on Hahnemühle Photo Rag Baryta paper, 26 x 21 x 30 cm
Photo: Carbonara Studio

Detail of Vislumbre I
Photo: Carbonara Studio


Digo apenas em palavras o que conheceis em pensamento I and II, 2026
MDF, mirror, wax, Hakea branches, and Brachychiton seed pod 220 x 115 x 49 cm (aprox.)
Photo: Carbonara Studio

Detail of Digo apenas em palavras o que conheceis em pensamento II, 2026
Photo: Carbonara Studio

View of the solo exhibition Removing gravity from the fall, at Balcony Gallery, Lisbon, Portugal (2026)
Photo: Carbonara Studio

Zinc Spark (Adapted image of Duncan, F. et al. (2016). 'The zinc spark is an inorganic signature of human egg activation'. Scientific Reports, 6, 24737. under licence CC BY 4.0., 2026
Zincor, mirror, and print on Hahnemühle Photo Rag Baryta paper on museum cardboard
50 x 50 x 50 cm
Photo: Carbonara Studio

View of the solo exhibition Removing gravity from the fall, at Balcony Gallery, Lisbon, Portugal (2026)
Photo: Carbonara Studio

Delírio II, 2026
Zincor, mirror, wax, brachychiton
seed pod, wooden beads
120,5 x 40,5 x 17 cm
Photo: Carbonara Studio

Detail of Delírio I, 2026
Zincor, mirror, wax, lotus flower seed pod,
wooden beads, cotton thread
187,5 x 40,5 x 18,5 cm
Photo: Carbonara Studio
© Ruben Zakoyan
“I ask questions about questions.” (R. M. Rilke, Stories of God)
“...try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Do not now look for the answers, which cannot be given to you because you would not be able to live them. And the point is, to live everything. Live the questions now.” (R. M. Rilke, Letters to a Young Poet)
Removing Gravity from the Fall is an exhibition that arises from a question about a question. Or several questions about a single question. Or perhaps, a question about several questions. The origin is doubt. And doubt is a place in and of itself.
To ask—treating the question not as something to be solved, but as something to be lived—is to inhabit this place of doubt and to linger in it. To return to it, as well. For this, one must try to love uncertainty; for it is only by trying to love uncertainty that one inhabits the mystery.
I wonder if inhabiting this place of questioning is to become the question ourselves; if it is to let the question experience itself through us, knowing that the experience is the question and the question is the experience; if it is to lend our body to doubt, knowing that this is an act of surrender. I wonder if inhabiting that place is allowing ourselves to enter a field of forces that repel and attract in equal measure, in a state of total awareness; if it is opening ourselves to all possibilities, knowing that in that place infinity is still possible; if it is allowing ourselves to experience a suspended time, where the fall has no gravity. I wonder if loving uncertainty to the point of living it is a call to claircognition, or clear knowing, for what we are willing to surrender, to experience, to lend, to enter, requires a trust that transcends logic. It requires clearly knowing what is not known, while knowing.
Removing Gravity from the Fall is an exhibition-invitation. An invitation to become the question ourselves, an invitation to doubt.
Carolina Serrano (May, 2026)
¹ RILKE, Rainer Maria – Stories of God (Histórias do Bom Deus). Vila Nova de Famalicão: Edições Quasi, 2008. ISBN 978-989-552-373-3. p. [página]. (My translation).
² RILKE, Rainer Maria – Letters to a Young Poet (Cartas a um Jovem Poeta). Vila Nova de Famalicão: Edições Quasi, 2008. ISBN 978-989-552-388-7. p. 35. (My translation).